Eleanor Nadimi | Palm Springs #25 | Acrylic & Emulsion on Canvas, Framed
This series of work is an investigative exploration into how the modular nature of mid century homes, in particular desert modernism architecture established in Palm Springs in the 1920s, brought the outside in allowing you to become immersed in the landscape.
Nadimi curates a historically and culturally rich journey through colour, enhancing spaces with paintings, textile art and furniture.
This series of work is an investigative exploration into how the modular nature of mid century homes, in particular desert modernism architecture established in Palm Springs in the 1920s, brought the outside in allowing you to become immersed in the landscape.
Nadimi curates a historically and culturally rich journey through colour, enhancing spaces with paintings, textile art and furniture.
This series of work is an investigative exploration into how the modular nature of mid century homes, in particular desert modernism architecture established in Palm Springs in the 1920s, brought the outside in allowing you to become immersed in the landscape.
Nadimi curates a historically and culturally rich journey through colour, enhancing spaces with paintings, textile art and furniture.
Artist
Eleanor Nadimi
Curator Notes
Eleanors work and the bold colour palette she has adopted brings so much joy and energy to the space in which they exist, her pieces completely change the mood of any room. Her love of exploring different colour combinations and understanding how a single tone and placement can effect our frame of mind, is what drives her desire to create her exciting graphic works.
Medium Acrylic & Emulsion On Board, Framed with stunning velvet inlay
Size: 64cm x 84.5cm
Edition: Original Painting
About The Artist
Eleanor Nadimi (Saatchi Art, Adorn The Common, 1stDibs) is a London based artist, teacher, mentor and textile designer with an MA from the Royal College of Art. Nadimi draws on her Iranian heritage - its landscape, traditional architecture and geometric patterns typical of the region, while also exploring the interaction of people and linear buildings of the mid-century – particularly the home. Focused on how colour and shape can alter mood and environment, her work references Neo-Plasticism and colour theory, experimenting with a reduced vocabulary of lines and forms to explore the effect of distinctive colour palettes, including that of the Modernist movement, on our relationship to space.
