Creme Caramel
Jennine Wilson
The Still life of a Table, centres around the banal and mundane still-life scenes set around the family dinner table. Drawing references from still life painting theory, ‘Looking at the Overlooked’ (Norman Bryson) and viewing the dinner table as an important piece of our basic cultural furniture, the series investigates the concept that objects can be evocative presences because of a particular moment and the circumstances which they come into our lives. This is a device used to create an interchange between memory and imagination.
Signed Limited Edition of 50, printed on Fuji Matte paper.
61 x 40.5 cm.
Jennine Wilson
The Still life of a Table, centres around the banal and mundane still-life scenes set around the family dinner table. Drawing references from still life painting theory, ‘Looking at the Overlooked’ (Norman Bryson) and viewing the dinner table as an important piece of our basic cultural furniture, the series investigates the concept that objects can be evocative presences because of a particular moment and the circumstances which they come into our lives. This is a device used to create an interchange between memory and imagination.
Signed Limited Edition of 50, printed on Fuji Matte paper.
61 x 40.5 cm.
Jennine Wilson
The Still life of a Table, centres around the banal and mundane still-life scenes set around the family dinner table. Drawing references from still life painting theory, ‘Looking at the Overlooked’ (Norman Bryson) and viewing the dinner table as an important piece of our basic cultural furniture, the series investigates the concept that objects can be evocative presences because of a particular moment and the circumstances which they come into our lives. This is a device used to create an interchange between memory and imagination.
Signed Limited Edition of 50, printed on Fuji Matte paper.
61 x 40.5 cm.
